Monday, 11 November 2013

THOR: THE DARK WORLD REVIEW


It’s been a while since I did my last review and we are fast approaching the end of 2013 and so far the list of action, adventure films has been mediocre to say the least. Well be prepared to add another one to the list.
Thor 2 aka The Dark World directed by Alan Taylor (Game of Thrones) is the sequel to Marvel Studios Fantasy, Adventure, Sci-fi, Thor and a follow up to the aftermaths of Avengers and the second Phase 2 film, which finds Thor (Chris Hemsworth) bringing peace to the Nine Realms and ending a two year war.
But before everyone can go back to celebrating and drinking themselves stupid, love interest and Astrophysicist Dr. Jane Foster (Natalie Portman) discovers mysterious portals opening up in London and is sucked up into one of them before finding and becoming infected by a dark and mysterious force of energy called the Aether that in turn awakens the vanquished warriors, the Dark Elves of Svartalfheim who have been in suspended animation for thousands of years.
Led by their leader Malekith (Christopher Eccleston) and his loyal Henchman Algrim (Adewale Akinnuove-Agbaje), the Dark Elves seek to recapture the Aether in order to bring eternal darkness to the universe. Thus an invasion attack is led on Asgard that ends in unexpected tragedy for Thor and his father Odin (Anthony Hopkins).
Seeking vengeance and a means to stop Malekith before he can accomplish his goals and also having to save Jane before the dark force inside her consumes her, Thor and his allies put into motion a plan that will kill two birds with one stone, but it requires having to team up with the one person who Thor cannot trust, his imprisoned and war criminal step-brother Loki (Tom Hiddleston).

With the way the plot sounds one would assume it would be a complicated mess but surprisingly the overall film is a tad bit too simple that tries too hard at pretending its smart but for the most part it gets the job done. What makes this film really tick is the way it manages to cram so much information and moments into its fast-paced running time.
Clocking just under two hours The Dark World is a fun, (and I use that term loosely) rollercoaster ride that starts off somewhat slow before reaching the halfway point and taking off at unexpected speed, making the film a entertaining past-time to sit through. But with that said the introduction of new faces and the return of old ones means that the majority of supporting characters don’t get the character development that they deserve.
While Director Alan Taylor manages to give everyone their moments to shine the lack of screen-time for each of them makes one yearn for more than is offered. The Warriors Three (Ray Stevenson, Tadanobu Asano and Zachary Levi who replaces Josh Dallas as the character of Fandral) especially appear here and there as quick glimpses and each having one small part to play when it comes to the plot. I
Lady Sif (Jaimie Alexander) gets a bit more screen-time with hints of a possible relationship forming between her and Thor but a love triangle never takes place and her character feels like a pretty face passing by. Then there is Heimdall (Idris Elba) who follows the same fate but has enough screen presence to still play a vital role in aiding Thor and proving himself to be a badass when he needs to be.
Nevertheless, what character development could be spend on these more interesting characters is wasted on more uninteresting returning ones, Dr. Erik Selvig (Stellan Skarsgard), Darcy (Kat Dennings) and her Intern and potential love Interest Ian (Jonathan Howard) who are nothing more than the film’s three stooges, providing the comic-relief and so-called humour that for the majority of the film really feels overdone.
Surprisingly Frigga (Rene Russo), Thor and Loki’s mother is given more to do here then its predecessor and offers some of the more emotional moments that this film provides, making it one of the more unique Marvel entries.
But overall, while the Supporting Cast does their best with what they are given it is the main performances and interactions between Hemsworth, Hiddleston, Portman and Hopkins that provide the story with the emotional investment that push the plot along.


Chris Hemsworth returns again as the mighty Thor, displaying his buff muscled arms and mighty Hammer and showcasing to us that he truly is the God of Thunder. But his character arc while understandable and an obvious progression of his character never really shines out. Where in the first film he had to learn about humility and managing to accomplish it in the most unrealistic time possible here he just plays the typical hero, the role feeling cliché but it is the small humour that Chris displays that makes his character shine. 
Natalie Portman’s romance between Thor which felt rushed and too quick to be taken seriously in the first film is given more time to develop here this time around and Portman herself manages to be more interesting and into character. That is until she is taken to Asgard her where her dull personality comes flowing back out and what should have been a story of her character learning and understanding the ways of Asgard and Thor’s family gaining insight as to why Thor loves her is never developed. Her time in Asgard itself is overly short spend and done with before it can even begin. 

With that said it is with no surprise that Tom Hiddleston’s performance as the fan-favourite Loki God of Mischief, manages to steal the show in every scene he appears in, giving us a look at his damaged and hurtful self. Add in the brotherly rivalry and trust issues between him and Thor and the film’s second act really stands out. The banter between them is not only funny but also natural giving their performances a more human quality and real-life feeling then the previous films have done. Loki’s character arc itself feels developed and full-filled and if it had ended here it would be on a powerful note but considering his popularity and multi-layered performance Hiddleston’s return is only inevitable. 

 
Sadly this is as good as the film gets because the rest of the performances and overall quality and structure of the film are disappointingly bland, unoriginal and quiet childish.
The portrayals of the film’s two major villains performed by Dr. Who actor Christopher Eccleston and Adewale Akinnuove-Agbaje is an underdeveloped mess. With their appearances hidden in the excellent make-up, which gives them a unique look and a frightening one for Akinnuove-Agbaje after his transformation into the terrifying monstrous Kurse, the characterization of their characters is cliché with no real motivation or character growth gone into them. The very fact that they are unrecognizable because of the make-up design means that any actors could have played their roles making it even more obvious that this was a simple quick pay check for them.
One could argue that the difference between the many other comic book movies is that Marvel Studios focuses on its title characters instead of trying to up the stakes by giving us better villains but as a saying goes, “A Hero is only as good as his Villain” and in this case it would ring true.
Not been able to connect with the Villain at all or having a somewhat psychological connection been formed between them that would make their battle feel more epic and emotional makes us want to not take them or the world they’re in seriously enough. There is a subplot of revenge and tragedy thrown into the mix but it all moves too fast like it is an afterthought and is never really made a big issue out of thus making everything feel too rushed. 
Again, it’s not as if the plot is complicated or hard to understand but that the plot and characters move too fast to really allow us to get a sense of who they are. There is a glimpse, moments, where Alan Taylor is trying to show us that this sequel can be much more than it is. But the difference between this project and his more darker, intense and human emotional filled works is that The Dark World never quiet reaches the so called layers of darkness that it promises. As said before, it is too childish and bland and that is mostly because of the god-awful humour and attempts at comedy. 
The Comedy overloads the entire film to the point where nothing can be taken seriously. The Marvel films are indeed known for their humour but the problem with Phase 2 so far is how Marvel seems to only be relying on that aspect of genre to sell its film to audiences. There is a time and place to crack jokes but when every scene and attempt is made at sprouting out a gag or joke it becomes repetitive and annoying. 
When a dark or serious moment does take place the film doesn’t take the risks to allow for those moments to develop naturally and instead throws in a joke scene to quickly lighten the mood as a way to change the subject and make us feel differently about what just occurred. It feels wrong, forced and just tacked on to the point that the film insults one’s intelligence.
It is at this point that Thor 2 starts to resemble more of a children’s Saturday morning cartoon instead of the type of superhero movie we have come to know and love. It loses its balance and in the end doesn’t know what it wants to be. It feels like a jumbled puzzle board thrown about that never quiet manages to fit together.

There are the subtle moments by characters and Loki’s dark sense of humour and uncaring nature which is part of his personality just comes off as natural along with a very specific cameo that just works so well. But the rest of it, namely anything to do with Darcy and Crew is vomit-inducing.
A lot of viewers have complained over the too serious nature and dark elements of such films like The Dark Knight Trilogy for example but Thor The Dark World makes me want to commit Seppuku because it doesn’t take itself seriously enough and tries too hard to be funny and never learns that less is more.
The Special Effects and action sequences are impressive enough but do have a television like quality to them at times gives them a cheap look and feel along with the fact that some parts are a obvious rip-off of other films that have done such set pieces better but there are some exceptions.
The Attack on Asgard is a major highlight mostly because of the epic entrance Kurse has that kick-stars the action. And everything with Loki is pretty much gold. And while the final battle is unique in the way its presented and shot because of the portals, which make it an edge of the seat worthy final-fight, it is unfortunately let down by the forced tacked in jokes, gags and underdeveloped villains but overall it is the forced gags that let it down.
But as said before the film is fun confusingly enough. Yes it is annoying, underdeveloped, rushed with horrible Slap-stick humour, but something about the way some scenes are done and the way the action flows so well together almost makes it give off a epic like feeling of fantasy plus Loki and his interactions with his family make this a sequel worth watching.  
In Conclusion it’s not bad and does entertain in a good way. While the forced humour lets it down and stops it from being the epic masterpiece it could have been and the short running time means a lot of characters don’t get their worth of time, Thor The Dark World is a decent entry into the Marvel Cinematic Universe. But it isn’t as good as the first one in my humble opinion but is more fun to watch but it is still a slightly disappointing sequel that does however end on a unexpected and shocking cliff-hanger. Give it a go but don’t expect anything much from it. And stay after the full Credits for Two End-Credit Scenes.

Overall I give this a score of…6.5/10

LIKES:

·    Tom Hiddleston as Loki. “Nuff Said”



·    Kurse. This guy is just plain badass and terrifying. This is a Henchman done right.



·    The Special Cameo involving Loki and Thor.



·    End Credits Scene One. This End Credit Sequence that appears mid-way through the Credits at the end sets up Guardians of the Galaxy and Phase 3’s MacGuffin. Really gets you pumped up for what is to come in the future. Then again they spend six years hyping up the Mandarin and look how that turned out. Fingers crossed it turns out well.

 HATES:

·    The Humour, the Gags…God I hate it all.
 

·    Darcy. The best way to describe her is that Darcy is the Jar Jar Binks of Thor. The big difference between this and the next two Star Wars Prequels is that George Lucas was smart enough to give Jar Jar as little and unfunny of a role as possible. But clearly Marvel really don't give a toss and want to torture us as much as possible.
 

·    Ian. This guy contributed nothing to the overall story and was like Darcy just a comic relief with no real purpose. Having one Darcy Binks was bad enough. But two is over stepping the mark.
 

·    Erik. What the hell happened here? This guy should’ve been suffering from Loki’s mind control in a silent and angry mood kind of way while regretting his actions and coming to terms with them. Not getting butt naked and running around like Woody Woodpecker. Way to ruin what could’ve been emotional character development for him. Instead he’s also reduced to a stupid ass comic relief.
 

·    The Warriors Three. These guys deserve so much more.
 

·    Lady Sif. She’s Thor’s love interest in the Comics and at one point even becomes processed and turns evil. Sadly with the way things are going now we’ll never see any such type of plot develop and its even more sad because Jamie Alexander is perfect and has potential.
 

·    Anthony Hopkins. The guy actually doesn’t look like he cares about doing this role and he just comes off as very bland. That and his characters an ass and douche compared to how he was in the original. Hopkins himself has said in a Interview that he's done with the role so good riddance I say if they want to get rid of him.
 

·    Malekith. Not a big fan of this villain so I wasn’t very excited to see him in this film in the first place. And rightfully so. The guy hardly has any scenes and doesn’t have a huge presence and feels like a waste. That mostly has to do with the fact that all his backstory and development scenes were deleted from the final cut. A shame really.